Welcome to my unwieldy collection of works of art, mostly; assembled by an artist/teacher que vive en Tejas.
“Whoever does not move among works of art as if among dangerous animals does not know among what he moves.”
— Nicolás Gómez Dávila
The beginning of love is to let those we love be perfectly themselves, and not to twist them to fit our own image. Otherwise we love only the reflection of ourselves we find in them.
Thomas Merton
“Too often, people who take the spiritual life seriously may waste all their efforts on the scaffolding, making it more and more solid, permanent and secure, and paying no attention to the building itself. They do so out of a kind of unconscious fear of the real responsibilities of the Christian life, which are solitary and interior. These are difficult to express, even obliquely. They are almost impossible to communicate to anyone else. Hence one can never be “sure” whether he is right or wrong. One has very little evidence of progress or perfection in this interior sphere—while in the exterior, progress can be more easily measured and results can be seen. They can also be shown to others for their approval and admiration. The most important, the most real, and lasting work of the Christian is accomplished in the depths of his own soul. It cannot be seen by anyone, even by himself. It is known only to God.”
— Thomas Merton (1915-1968), Life and Holiness, Herder and Herder, 1963
parabola-magazine:
Your brightness is my darkness.
I know nothing of You and, by myself,
I cannot even imagine how to go about knowing You.
If I imagine You, I am mistaken.
If I understand You, I am deluded.
If I am conscious and certain I know You, I am crazy.
The darkness is enough.
—Thomas Merton, prayer before midnight mass at Christmas, 1941
Photograph: Adolph Fassbender, b.1884-1980, Snow Caps, 1937
Portrait of Thomas Merton
When he painted the portrait of his friend Merton standing near the Abbey of Gethsemani in Kentucky, Ed Rice deliberately blanked out Tom’s face. He confessed to being confused. Over the years, the scholars, the followers, publishers, the church itself, had drawn a portrait that was unrecognizable, that of a plastic saint, a monk interested mainly in pulling nonbelievers, and believers in other faiths, into the one true religion. This was not the Merton that his friends from younger days and later days, Jim Knight and Ed Rice, knew. Merton was eminently human. He honored, and reached out to other faiths. He loved, he laughed. In essence he was a poet, who used words to help us understand the thousands of things we need to understand. This is his portrait, as recalled by his very close friends.
-Jim Knight
(more here)
“It is only the infinite mercy and love of God that has prevented us from tearing ourselves to pieces and destroying His entire creation long ago. People seem to think that it is in some way a proof that no merciful God exists, if we have so many wars. On the contrary, consider how in spite of centuries of sin and greed and lust and cruelty and hatred and avarice and oppression and injustice, spawned and bred by the free wills of men, the human race can still recover, each time, and can still produce men and women who overcome evil with good, hatred with love, greed with charity, lust and cruelty with sanctity. How could all this be possible without the merciful love of God, pouring out His grace upon us? Can there be any doubt where wars come from and where peace comes from, when the children of this world, excluding God from their peace conferences, only manage to bring about greater and greater wars the more they talk about peace?”
themonkeyisyourfriend:
“The logic of worldly success rests on a fallacy: the strange error that our perfection depends on the thoughts and opinions and applause of other men! A weird life it is, indeed, to be living always in somebody else’s imagination, as if that were the only place in which one could at last become real!”
- Thomas Merton
Original Article
“We must remember that Robinson Crusoe was one of the great myths of the middle class, commercial civilization of the eighteenth and nineteenth centuries: the myth not of eremitical solitude but of pragmatic individualism. Crusoe is a symbolical figure in an era when every man’s house was his castle in the trees, but only because every man was a very prudent and resourceful citizen who knew how to make the best out of the least and could drive a hard bargain with any competitor, even life itself. Carefree Crusoe was happy because he had an answer to everything. The real hermit is not so sure he has an answer.”