Henri Manguin (French, 1874–1949) - Le Hamac, 1913

Henri Manguin (French, 1874–1949) - Olive Trees in Cavaliere, 1906

bofransson:

Henri MANGUIN - “L’Atelier de l’Oustalet”

paperimages:

Henri Manguin (French, 1874-1849)

Along a path in St. Tropez - 1905

bofransson:

Flowers - Henri Manguin

bofransson:

Henri Manguin - Jeanne a la Fontaine, Villa Demiere, 1905 

bofransson:

Henri Charles Manguin (1874-1949) Paysage de Suisse au printemps 

bofransson:

Henri Manguin (1874 - 1949)

Maurice Ravel

bofransson:

Henri Manguin (1874-1949)

Intérieur, Lucile Manguin (fille de l’artiste) 

bofransson:

Henri Manguin (1874-1949) - Baigneuse assise à Cassis (Jeanne)

Henri Manguin (1874-1949)

Tulipes à la fenêtre

oil on canvas, 31 7/8 x 25½ inches

Painted in Saint-Tropez, 1941 

alongtimealone:

Henri Manguin - La Sieste, 1905 

Working during the first heady days of the 20th century and having had his work exhibited in the very room whence Fauvism burst upon the public, it was natural that Manguin should consider himself a true Fauve. Initially he was criticised for his use of unnaturally strident acid greens, but in time he attenuated his palette and even the greens he used became harmonized with the rest of the piece. Indeed he was always rather less wild in his technique than some of the Fauves, planning his canvases with greater restraint than others in the group and retaining more control over the composition. -artnet

[I’ve seen digital images of Manquin’s work where his “unnaturally strident acid greens” have been removed. :(]

post-impressionism:

Henri Manguin | Model in a Painter’s Studio

Henri Manguin | La Sieste ou Le Rocking Chair, Jeanne, c. 1905

wasbella102:

The Aloes in Bloom | Cassis Henri Manguin (French 1874-1949)